LYNDON & WING
LYNDON : CHURCH OF ST MARTIN OF TOURS
Church Post Code LE15 8TU
Open to visitors
Those who know me and who have followed my travels over the years will probably know of my love for Rutland. Open churches (for the most part), friendly people and glorious countryside. The church of St Martin of Tours is by no means the biggest or most architecturally interesting church in the county, but it is one that I am very fond of and always enjoy visiting.
I first visited here in 2007 armed with a basic digital camera; revisiting in the winter of 2015, on a dull freezing cold afternoon. The photographs used on this page are all from a visit from December 2022, two weeks before Christmas. It had been a mild start to the winter but that had ended suddenly, and the frost was still on the ground in places as we arrived; with this being the sixth church of the day in what turned out to be a 12 church Rutland crawl, with each of these being open to visitors.


Lyndon is a small village, with a population of 124 at the time of the 2011 census. It can be found in an area of small, pleasant villages that I have grown very fond of over the years. We had driven in from neighbouring North Luffenham, a mile or so to the south east. The south bank of Rutland Water is a mile or so away to the north. Uppingham is five miles or so away in a vaguely southerly direction. Stamford is eight miles or so to the north east; neither of those trips on cycle would have appealed on that day, with the temperature a little above freezing! This was definitely a day for the van!
Next to the church is Lyndon Hall, a mansion which was built between 1671 and 1673 for the Barker family.
The church here is dedicated to St Martin of Tours, with his story being an interesting one. Martin was an officer in the Roman army who once cut his robe in half, giving half to a naked beggar in the bitter cold. Turning to Christianity he was baptised and, after a struggle, he was discharged from the army. In 370 AD he was made Bishop of Tours and soon after moved to a quiet place where he could lead a meditative life. Throughout his life he showed a genuine concern for every human being, whether poor or rich. He died at the age of 82, and was one of the first non-martyr saints.



The church that we see today consists of West tower, nave with north and south aisles and clerestories, south porch, north organ chamber and chancel. This is a very pleasant spot, with the church surrounded by trees, with a wall to the south and west separating the church grounds from Lyndon Hall. Approaching the church from the east, there is an intriguing clock tower in the grounds on the other side of the wall; this being the hall stable block, which has a Grade II Listing in its own right.
There was no mention of the parish here during the Domesday Survey of 1086. The church itself is, for the most part, thirteenth and early fourteenth century. The font is thought to be earlier, and may point to the existence of an earlier church here. In past times this church has been in a very poor state of repair. I found a quote from British History Online, dated from 1605, which stated that, among other issues "the rain cometh in most intollerablie", In more recent times, the church here was in need of repair and there was substantial Victorian restoration during the 1860’s.



Approaching the church, the light quality was excellent and the frost was still thick on the ground in places. St Martin is isolated from the rest of the village, in grounds owned by the hall.
Looking around the exterior, the west tower is battlemented and is of three stages. It dates from the 14th century, with the top being added to or repaired during the 15th century.
The south porch has an addition on the top; a canopy which dates from the Victorian restoration. There are two gargoyles to north and south. To the south we have a sinister looking large cat, with paws upturned. His neighbour is a human figure, a mouth puller. There is a perturbed looking eagle on the north wall!
Four bells hang here. The first was originally cast in 1597 but was re-cast by Taylor of Loughborough in 1889. This bell is inscribed ‘Nunc Martne Ego Cana Vobis Ore Iucundo Remmedgiunte’. A frustrating and not entirely successful few minutes with Google’s Latin translator came up with ‘Now being old and wise I Sing to you with a pleasant tongue’
The second, also re-cast by Taylor at the same time, was by Tobias Norris I, with this being cast locally at the Stamford bellfoundry. This is dated 1624 and has the Latin inscription 'Omnia Fiant Ad Gloriem Dei' Let all things be done for the glory of God.
The third bell came courtesy of celebrated Peterborough founder Henty Penn, and is dated 1716, with the name Samuel Barker Esquire inscribed on to it. The final bell is another from the Stamford bellfoundry, with Tobias Norris III doing the honours this time in 1687. This final bell of the ring is inscribed with the name Sir Thomas Barker Baronet of Linden.





The south door had been left open, with the bird screen across on the porch. As a result it was really cold inside. I have been in colder though, with memories of a candlelit carol service around 2010 at St Remigius, Water Newton. It was around minus sis outside and the snow had been on the ground for a few days. The church heating had broken down and I have fond memories of the steam from 40 voices being highlighted by the candles!
Moving inside, there are two bay arcades to north and south, with octagonal piers and capitals. Crudely carved heads gave out across the nave. Pews line up in the south aisle but there is no altar here, just a plain wall with lectern.
The tower arch is slender with pointed arch. The two light west window has the only stained glass to be found at this church; a two light depiction on Adam and Eve being expelled from the Garden of Eden, alongside Jesus’ birth. Underneath is scripture from I Corinthians Chapter 15 verses 21 – 22 ‘21For since death came through a man, the resurrection of the dead comes also through a man. 22 For as in Adam all die, so in Christ all will be made alive’.
The three light east window is of clear glass; the altar is plain and simple with purple altar cloth, this being the liturgical colour used during advent.





Much of the fittings here are from the time of the Victorian restoration. The pulpit is marble, as is the reredos; marble tiles of the highest quality. Central we have the symbols of the four evangelists.
To the left as we look at it is a remarkable depiction of the Passover, where God unleashed the tenth and most terrifying plague on the Egyptians; the curse of the first born son. In this, the first born son from the highest to the lowest Egyptian family would die that night; including cattle. God gave instructions as to how the Israelites would be safe, and we see this highlighted here.
The Passover lamb is slaughtered, with blood spread on the doorframe whilst the Jews ate the lamb quickly, with their sandals on and staff in hand, ready to move out quickly. This was to ensure their safety against the angel of the Lord, who is depicted sword in hand, causing destruction throughout Egypt. Pyramids are pictured, along with firstborn dead and an Egyptian woman with hands raised in distress.
On the right is a depiction from Numbers Chapter 21. Here, the Israelites were attacked by venomous snakes. God told Moses to erect a pole with a snake on it, so that all who were bitten and looked to this pole would be saved.
The font is said to predate the church; going back to the 12th century. This gives credence to the thought that there was church here which pre dates the existing structure.



The church grounds here are a delight, with these only being walled to the south and west. Chickens were wandering around on a previous visit. Large areas are without gravestones, with many not in situ, being lined up against the south and west walls.
Some memorials to members of the Barker family are built in to the west wall; with this wall having a Grade II Listing. The quality of gravestones, several of which date back to the 18th century, speaks volumes as to the wealth in the area. There is a table tomb here dating back to 1687, which has a Grade II Listing in its own right.
This is a beautiful church in picturesque settings in an attractive village in a glorious county! Open and welcoming; a delight to have been able to see this one again!



WING : CHURCH OF ST PETER & ST PAUL
Church Post Code LE15 8SE
Open to visitors
A short distance to the south west of Lyndon is Wing. It was a warm and humid early September afternoon in 2014, and David and I were exploring churches to the south of Rutland Water; an area of small picturesque villages, beautiful countryside and open churches. The church of St Peter & St Paul at Wimg was the first church visited, with half a dozen churches lined up before we headed off to an evening prayer service which I think from memory might have been at Oakham.
Some areas that I visit, I have grown very fond of over the years, such as this area of Rutland; especially on an afternoon such as this. Time spent out of the rat race, the sun on my back, out with my friend, seeing beautiful things; this is why we do what we do!
Wing is one of a cluster of villages to be found to the south of Rutland Water; it can be found roughly mid way between Rutland’s two towns, with Uppingham four miles away to the south west, with Oakham a little further away to the north west. The Northamptonshire border is a short distance off to the south; the Lincolnshire border is off to the east, with Stamford some ten miles distant.



The church of St Peter & St Paul is located at the south eastern end of the village. There is a maze or labyrinth on the edge of the village which dates back to medieval times. A quick look at the map of the village when preparing this shows the church is against Top Street, which is intersected by Middle Street, which leads to Bottom Street!
The church that we see today stands on raised ground, with a flight of stone steps leading towards the north porch. It consists of west tower, nave with north and south aisles and clerestories, north porch, north vestry and chancel.
The church dates back to the mid-12th century, but much of the structure is 13th to 14th centuries. There was much Victorian rebuilding here with the chancel being rebuilt in 1875, with more rebuilding in the mid 1880’s at which point the south aisle was rebuilt. There used to be a spire here, which was removed in 1841, being deemed unsafe.
The ‘Church Open’ sign was out, which is typical of this friendly and welcoming area. Looking at the map, prior to putting these notes down, I can’t think of one church in this area that is normally closed to visitors.
Covid would have hit these churches hard, in terms of having to close their doors during the various restrictions. I heard time and time again from various churches, how hard it was for them to have to close; priding themselves of keeping their doors open for those who wished to use them.
In between the first and second national lockdowns, I travelled when possible. On one trip I visited around 15 churches in Lincolnshire; all of which were closed. We popped in to Wing on the way home; with the church being open and welcoming. Dependable; there should you need. An important Christian witness in challenging times!
I am a churchcrawler, I am also a practicing Christian who has gone through tough times and who has had need of an open church as somewhere to go to be at peace when the world is raging outside!



The church is of ironstone; with the late 14th century tower buttressed and battlemented, with the church clock set against the north face. There is a frieze running across the top of the tower, on all four sides, with a repeated quatrefoil design.
The walls of the south aisle and clerestory, which were rebuilt in 1885, were built in alternating bands of ironstone and freestone. The walls of the north and south aisles extend out to half way across the tower.
On the south exterior wall of the chancel is a wall monument to Richard Sharp Esq who died in 1773 aged 75 years. Script on this monument reads ‘Memento Mori’ which translates as ‘Remember Death’. This is a reminder and a warning to the onlooker that Man is mortal and will die. Therefore, live a good Christian life, trust in God and be at peace with God when your own time comes. In those days, when life expectancy was low, your own time could be sooner than you think!
Sadly, this warning came from personal experience. Also listed is his wife Margaret who died in 1754 aged 44 years; a young age yes, but this was not unusual for the day. However, a son of Sharp, whose name I just can’t decipher passed away in 1761 aged 8 years and Mary, a married daughter of his died in 1760 aged 27 years.
It was hard times for people then; and it is probably worth noting that these were people of means. How much worse would things have been then for those living in poverty!
There are five bells in the ring here. When Thomas North published his look at Rutland church bells in 1880 he noted that the first three of the ring were re-cast by Robert Taylor of St Neots in 1789. Each of the three is inscribed with the name Geo Paddy, who was church warden of the day. Taylor re-cast existing bells but I have no information on these pre-existing bells.
The fourth of the ring was suggested by North to be from Newcombe of Leicester. It was inscribed ‘GLORIA IN EXCELSIS DEO’ which translates as ‘Glory to God in the highest’. Since North’s study, this bell was re-cast by Taylor of Loughborough in 1903.
The fifth of the ring was cast by Thomas I Newcombe of Leicester and dates from 1510.


Moving inside, the visitor enters in through a late 12th century north doorway. There are three bay arcades to north and south; the south arcade is earlier, dating from around 1140. This arcade has rounded arches with zig zag decoration, substantial rounded piers with square capitals with fluted decoration.
The north arcade dates from around 1180; again having rounded arches, but these not having the decoration on them. The rounded piers are more slender and the capitals have a waterleaf design.
The chancel arch is pointed, and dates from the early 13th century. Looking towards the west, we can see that the arches on the western most bays of the north and south arcade disappear in to the west wall; this due to the fact that the tower, which was built after the arcades, encroached in to the body of the church.
Some bizarre stone human heads peer out throughout the interior; these include on peering out from behind a column that appears to have had many fights and lost each one.



As mentioned earlier, the chancel was rebuilt in 1875 but it does retain some medieval features, with the sedilia and ogee headed piscina on the south wall having been retained. Two arches to the north of the chancel lead in to the vestry. There is an aumbry against the north wall which is a Victorian copy.
There is plenty of stained glass here, with the east window being of three lights. At the centre is the risen Christ at the resurrection, hand raised in blessing with crucifixion wound visible on one hand and one foot. He holds a processional cross in his other hand. Christ is flanked by angels, with a solitary Roman soldier asleep off to one side.
In the tracery sits Christ, throned in majesty with angels in roundels below carrying shields which have the signs of the Alpha and Omega, the beginning and the end.
On the south wall of the chancel is a fine depiction of the raising of Lazarus. Jesus points upwards towards Heaven as Lazarus emerges from his tomb, shrouded with hands raised in prayer. Mary and Martha are present, Lazarus’ sisters. Mary of Bethany is in the foreground, depicted with long hair. It was to be her who anointed Jesus’ feet with expensive perfume shortly after, in preparation for his death; wiping Jesus’ feet with her hair.




A two light window shows St Peter and St Paul. St Peter is easily identified by his receding hairline and his carrying the keys to the Kingdom of Heaven. Peter looks really sorrowful in this depiction. St Paul has his head tilted to one side slightly but still looks you directly in the eye. As is usually the case, he is shown carrying a sword, with the tip of the sword pointing in to the ground.
St Peter is also depicted in a two light window. Jesus restores a kneeling Peter after he denied knowing him three times on the night of his arrest. The sun was shining through this window, with multi coloured reflections being cast on to the surrounding wall.
Some modern glass shows Jesus after meeting the two disciples on the road to Emmaus. Jesus is shown with a very large nimbus (halo). The script at the top is from Luke Chapter 24 verse 31 which reads in the King James Version ‘and their eyes were opened and they knew him’. Some modern translations replace the word ‘Knew’ with ‘recognise’. To my mind the older version has more impact!
A three light window has King David central, as usual easily recognisable by the fact that he is carrying a harp. He is flanked by Miriam and Deborah, each of whom was prophets. Miriam is depicted playing the cymbals; in Exodus Chapter 15 Miriam is said to have led the Hebrew women in singing and dancing after they had crossed the Red Sea.
Deborah was the only female Judge and judged for 40 years. She holds a scroll which reads ‘Awake awake utter a song’, this coming from Judges Chapter 5 verse 12.





It was good to take a look around the church grounds. There are plenty of finely crafted 18th century gravestones here but nothing in the grounds has its own Grade II Listing and there is nothing of any great rarity or importance.
A friend once said that my churchcrawling is, to an extent, a means to an end to travel and see new places. Yes, this is true to an extent. It is about the churches, that it why I do what I do. But it is also about visiting places that I wouldn’t otherwise have ever visited, with my life and memories being enriched that little bit more as a result!
This is a church with a big heart, which I have a great deal of time for. Worth taking a look at if you are in the area.
The majority of photographs used on this page are from my September 2014 visit. A few interior shots are from a subsequent visit, in February 2023 if you happen to notice a slight change in lighting conditions!

